diff --git a/facharbeit.lyx b/facharbeit.lyx index ccb2484..5804d6d 100644 --- a/facharbeit.lyx +++ b/facharbeit.lyx @@ -11,29 +11,42 @@ \usepackage[absolute]{textpos} \usepackage[authoryear]{natbib} \usepackage{titlesec} +\usepackage{caption} % Important for page numbering \pagestyle{plain} - - - % CHAPTER TITLE % \titleformat command shape format label sep before after \titleformat {\chapter} [display] {\normalfont} -{\LARGE\raggedright\thechapter}{-32pt} -{\LARGE\raggedleft} +{\large\raggedright\thechapter}{-24pt} +{\large\raggedleft} [{\titlerule[1pt]}] +\titleformat{\section} + {\normalfont\fontsize{14pt}{14pt}\selectfont\bfseries}{\thesection}{1em}{} + +\titleformat{\subsection} + {\normalfont\fontsize{12pt}{12pt}\selectfont\bfseries}{\thesubsection}{1em}{} + +\titleformat{\subsubsection} + {\normalfont\fontsize{11pt}{11pt}\selectfont\bfseries}{\thesubsubsection}{1em}{} + + + % Title margins -\titlespacing{\chapter}{0pt}{-3em}{4em} -\titlespacing{\section}{0pt}{2em}{6pt} -\titlespacing{\subsection}{0pt}{2em}{6pt} -\titlespacing{\subsubsection}{0pt}{6pt}{6pt} +\titlespacing{\chapter}{0pt}{-3em}{3em} +\titlespacing{\section}{0pt}{3em}{0,5em} +\titlespacing{\subsection}{0pt}{2em}{0,5em} +\titlespacing{\subsubsection}{0pt}{1,5em}{0,5em} \titlespacing{\paragraph}{0pt}{6pt}{6pt} + + +% figure caption +\captionsetup[figure]{font=small} \end_preamble \use_default_options true \maintain_unincluded_children false @@ -56,7 +69,8 @@ \output_sync 0 \bibtex_command default \index_command default -\paperfontsize 11 +\float_placement H +\paperfontsize 12 \spacing onehalf \use_hyperref false \papersize a4paper @@ -77,9 +91,9 @@ \end_index \paperwidth 11in \paperheight 8.5in -\leftmargin 3cm +\leftmargin 3.5cm \topmargin 3cm -\rightmargin 3cm +\rightmargin 2cm \bottommargin 3cm \secnumdepth 2 \tocdepth 2 @@ -433,18 +447,6 @@ To make it playable with a keyboard, a MIDI input module is added. \end_layout \begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -pagebreak -\end_layout - -\end_inset - \end_layout @@ -471,12 +473,12 @@ The process of writing this paper has been an unexpectedly rewarding and it with a predetermed mindset - has been something that really changed my perseption of musical creativity. This for me seems much more attainable in the analog world, where electrical - components can be streched to certain limits, where it is uncertain what - exactly will happen to the audio signal. + components and signal chains can be brought to their tipping points, resulting + in an unpredictable outcome. That is where sound exploration begins, which is a totally different experience than knowing what will happen. - Virtual digital environments, which I was familiar with however, seem to - tend persuade the user to feel in control at all times. + Virtual digital environments, which I was familiar with on the other hand, + generally seem to tend persuade the user to feel in control at all times. \end_layout \begin_layout Chapter @@ -680,22 +682,6 @@ citealp[p.~3]{Manning1985}} . \end_layout -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -pagebreak -\end_layout - -\end_inset - - -\end_layout - \begin_layout Standard The german engineer Harald Bode contributed to the design of several new instruments from the 1930's on, like the warbo formant organ (1937) or @@ -891,22 +877,6 @@ citealp[p.~20]{Dunn1992}} . -\end_layout - -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -pagebreak -\end_layout - -\end_inset - - \end_layout \begin_layout Standard @@ -947,13 +917,9 @@ citealp{Fjellestad:movie}} A year later he built a transistor based voltage-controlled oscillator and amplifier for the composer Herbert Deutsch. This led moog to the presentation of a paper entitled -\begin_inset Quotes eld -\end_inset - +\emph on Voltage-Controlled Electronic Music Modules -\begin_inset Quotes erd -\end_inset - +\emph default at the sixteenth annual convention of the Audio Engineering Society, which had stimulated widespread interest \begin_inset ERT @@ -1004,13 +970,9 @@ citealp[p.~22]{Dunn1992}} Buchla's design approach differed significantly from Moog. He rejected the idea of a synthesizing familiar sounds and resisted the word -\begin_inset Quotes eld -\end_inset - +\emph on synthesizer -\begin_inset Quotes erd -\end_inset - +\emph default ever since. It seemed much more interesting to emphasize new timbral possibilities and stress the complexity that could arise from randomness. @@ -1059,13 +1021,9 @@ citealp[p.~20]{Dunn1992}} an album of titles by Johann Sebastian Bach interpreted only with Moog synthesizers. With the title -\begin_inset Quotes eld -\end_inset - +\emph on Switched-on Bach -\begin_inset Quotes erd -\end_inset - +\emph default they demonstrated the performance of the system so convincingly, that they hit the popmusic charts and sold a million LP's \begin_inset ERT @@ -1283,7 +1241,7 @@ citealp[p.~55]{Ruschkowski1990}} \end_inset . - A true square wave has a 50% duty cycle - equal high and low periods. + A true square wave has a 50 % duty cycle - equal high and low periods. However, oscillators often feature a pulse width parameter, trough which the high-low time ratio can be accessed. This has a distinct influence on the wave's timbre. @@ -1470,13 +1428,9 @@ name "sub:filters" The filter is the processing component responsible for the sound changes, that people associate with -\begin_inset Quotes eld -\end_inset - +\emph on the typical synthesizer sound -\begin_inset Quotes erd -\end_inset - +\emph default \begin_inset ERT status open @@ -1672,11 +1626,6 @@ y manufactured circuit boards for this project as opposed to elaborating Also the time saving using this strategy is not to be underestimated. \end_layout -\begin_layout Standard -Since the budget for this project was limited, it was tried to arrange a - smaller setup that would still offer lots of sound design possibilities. -\end_layout - \begin_layout Standard During the research phase of this project the author found out about a modular synthesizer building workshop taking place in berlin monthly. @@ -1691,6 +1640,11 @@ befaco \end_layout +\begin_layout Standard +Since the budget for this project was limited, it was tried to arrange a + smaller setup that would still offer lots of sound design possibilities. +\end_layout + \begin_layout Standard \begin_inset Note Note status collapsed @@ -1819,10 +1773,107 @@ The case is a simple rack constructed from a few pieces of wood that are modules. \end_layout +\begin_layout Standard +\begin_inset ERT +status open + +\begin_layout Plain Layout + + +\backslash +pagebreak +\end_layout + +\end_inset + + +\end_layout + \begin_layout Section Frontpanels \end_layout +\begin_layout Standard +\begin_inset Wrap figure +lines 0 +placement R +overhang 0in +width "22text%" +status collapsed + +\begin_layout Plain Layout +\begin_inset ERT +status open + +\begin_layout Plain Layout + + +\backslash +vspace*{-2.5em} +\end_layout + +\begin_layout Plain Layout + + +\backslash +begin{center} +\end_layout + +\end_inset + + +\end_layout + +\begin_layout Plain Layout +\begin_inset Graphics + filename graphics/output-module-panel.pdf + scale 60 + +\end_inset + + +\end_layout + +\begin_layout Plain Layout +\begin_inset Caption + +\begin_layout Plain Layout +Output module template +\end_layout + +\end_inset + + +\end_layout + +\begin_layout Plain Layout +\begin_inset ERT +status open + +\begin_layout Plain Layout + + +\backslash +end{center} +\end_layout + +\begin_layout Plain Layout + + +\backslash +vspace*{-2em} +\end_layout + +\end_inset + + +\end_layout + +\end_inset + + +\end_layout + \begin_layout Standard The panels for all modules were made from pre-cut aluminum plates with a white varnish. @@ -1954,6 +2005,12 @@ I hereby declare that in the attached submission I have not presented anyone gement. \end_layout +\begin_layout Standard +My signature below constitutes my pledge that all of the writing is my own + work, with the exception of those portions which are properly documented. + +\end_layout + \begin_layout Chapter* Appendix \end_layout