added output module panel template graphic
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1 changed files with 147 additions and 90 deletions
237
facharbeit.lyx
237
facharbeit.lyx
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@ -11,29 +11,42 @@
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\usepackage[absolute]{textpos}
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\usepackage[authoryear]{natbib}
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\usepackage{titlesec}
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\usepackage{caption}
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% Important for page numbering
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\pagestyle{plain}
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% CHAPTER TITLE
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% \titleformat command shape format label sep before after
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\titleformat
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{\chapter}
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[display]
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{\normalfont}
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{\LARGE\raggedright\thechapter}{-32pt}
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{\LARGE\raggedleft}
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{\large\raggedright\thechapter}{-24pt}
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{\large\raggedleft}
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[{\titlerule[1pt]}]
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\titleformat{\section}
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{\normalfont\fontsize{14pt}{14pt}\selectfont\bfseries}{\thesection}{1em}{}
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\titleformat{\subsection}
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{\normalfont\fontsize{12pt}{12pt}\selectfont\bfseries}{\thesubsection}{1em}{}
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\titleformat{\subsubsection}
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{\normalfont\fontsize{11pt}{11pt}\selectfont\bfseries}{\thesubsubsection}{1em}{}
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% Title margins
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\titlespacing{\chapter}{0pt}{-3em}{4em}
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\titlespacing{\section}{0pt}{2em}{6pt}
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\titlespacing{\subsection}{0pt}{2em}{6pt}
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\titlespacing{\subsubsection}{0pt}{6pt}{6pt}
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\titlespacing{\chapter}{0pt}{-3em}{3em}
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\titlespacing{\section}{0pt}{3em}{0,5em}
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\titlespacing{\subsection}{0pt}{2em}{0,5em}
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\titlespacing{\subsubsection}{0pt}{1,5em}{0,5em}
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\titlespacing{\paragraph}{0pt}{6pt}{6pt}
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% figure caption
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\captionsetup[figure]{font=small}
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\end_preamble
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\use_default_options true
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\maintain_unincluded_children false
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@ -56,7 +69,8 @@
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\output_sync 0
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\bibtex_command default
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\index_command default
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\paperfontsize 11
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\float_placement H
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\paperfontsize 12
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\spacing onehalf
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\use_hyperref false
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\papersize a4paper
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@ -77,9 +91,9 @@
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\end_index
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\paperwidth 11in
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\paperheight 8.5in
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\leftmargin 3cm
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\leftmargin 3.5cm
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\topmargin 3cm
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\rightmargin 3cm
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\rightmargin 2cm
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\bottommargin 3cm
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\secnumdepth 2
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\tocdepth 2
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@ -433,18 +447,6 @@ To make it playable with a keyboard, a MIDI input module is added.
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\end_layout
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\begin_layout Standard
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\begin_inset ERT
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status open
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\begin_layout Plain Layout
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\backslash
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pagebreak
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\end_layout
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\end_inset
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\end_layout
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@ -471,12 +473,12 @@ The process of writing this paper has been an unexpectedly rewarding and
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it with a predetermed mindset - has been something that really changed
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my perseption of musical creativity.
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This for me seems much more attainable in the analog world, where electrical
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components can be streched to certain limits, where it is uncertain what
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exactly will happen to the audio signal.
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components and signal chains can be brought to their tipping points, resulting
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in an unpredictable outcome.
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That is where sound exploration begins, which is a totally different experience
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than knowing what will happen.
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Virtual digital environments, which I was familiar with however, seem to
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tend persuade the user to feel in control at all times.
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Virtual digital environments, which I was familiar with on the other hand,
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generally seem to tend persuade the user to feel in control at all times.
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\end_layout
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\begin_layout Chapter
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@ -680,22 +682,6 @@ citealp[p.~3]{Manning1985}}
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.
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\end_layout
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\begin_layout Standard
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\begin_inset ERT
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status open
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\begin_layout Plain Layout
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\backslash
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pagebreak
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Standard
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The german engineer Harald Bode contributed to the design of several new
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instruments from the 1930's on, like the warbo formant organ (1937) or
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@ -891,22 +877,6 @@ citealp[p.~20]{Dunn1992}}
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.
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\end_layout
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\begin_layout Standard
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\begin_inset ERT
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status open
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\begin_layout Plain Layout
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\backslash
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pagebreak
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Standard
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@ -947,13 +917,9 @@ citealp{Fjellestad:movie}}
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A year later he built a transistor based voltage-controlled oscillator
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and amplifier for the composer Herbert Deutsch.
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This led moog to the presentation of a paper entitled
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\begin_inset Quotes eld
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\end_inset
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\emph on
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Voltage-Controlled Electronic Music Modules
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\begin_inset Quotes erd
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\end_inset
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\emph default
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at the sixteenth annual convention of the Audio Engineering Society, which
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had stimulated widespread interest
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\begin_inset ERT
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@ -1004,13 +970,9 @@ citealp[p.~22]{Dunn1992}}
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Buchla's design approach differed significantly from Moog.
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He rejected the idea of a synthesizing familiar sounds and resisted the
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word
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\begin_inset Quotes eld
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\end_inset
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\emph on
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synthesizer
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\begin_inset Quotes erd
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\end_inset
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\emph default
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ever since.
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It seemed much more interesting to emphasize new timbral possibilities
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and stress the complexity that could arise from randomness.
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@ -1059,13 +1021,9 @@ citealp[p.~20]{Dunn1992}}
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an album of titles by Johann Sebastian Bach interpreted only with Moog
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synthesizers.
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With the title
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\begin_inset Quotes eld
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\end_inset
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\emph on
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Switched-on Bach
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\begin_inset Quotes erd
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\end_inset
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\emph default
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they demonstrated the performance of the system so convincingly, that they
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hit the popmusic charts and sold a million LP's
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\begin_inset ERT
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@ -1283,7 +1241,7 @@ citealp[p.~55]{Ruschkowski1990}}
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\end_inset
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.
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A true square wave has a 50% duty cycle - equal high and low periods.
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A true square wave has a 50 % duty cycle - equal high and low periods.
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However, oscillators often feature a pulse width parameter, trough which
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the high-low time ratio can be accessed.
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This has a distinct influence on the wave's timbre.
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@ -1470,13 +1428,9 @@ name "sub:filters"
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The filter is the processing component responsible for the sound changes,
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that people associate with
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\begin_inset Quotes eld
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\end_inset
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\emph on
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the typical synthesizer sound
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\begin_inset Quotes erd
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\end_inset
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\emph default
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\begin_inset ERT
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status open
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@ -1672,11 +1626,6 @@ y manufactured circuit boards for this project as opposed to elaborating
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Also the time saving using this strategy is not to be underestimated.
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\end_layout
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\begin_layout Standard
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Since the budget for this project was limited, it was tried to arrange a
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smaller setup that would still offer lots of sound design possibilities.
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\end_layout
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\begin_layout Standard
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During the research phase of this project the author found out about a modular
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synthesizer building workshop taking place in berlin monthly.
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@ -1691,6 +1640,11 @@ befaco
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\end_layout
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\begin_layout Standard
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Since the budget for this project was limited, it was tried to arrange a
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smaller setup that would still offer lots of sound design possibilities.
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\end_layout
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\begin_layout Standard
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\begin_inset Note Note
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status collapsed
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@ -1819,10 +1773,107 @@ The case is a simple rack constructed from a few pieces of wood that are
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modules.
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\end_layout
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\begin_layout Standard
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\begin_inset ERT
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status open
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\begin_layout Plain Layout
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\backslash
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pagebreak
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Section
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Frontpanels
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\end_layout
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\begin_layout Standard
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\begin_inset Wrap figure
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lines 0
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placement R
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overhang 0in
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width "22text%"
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status collapsed
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\begin_layout Plain Layout
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\begin_inset ERT
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status open
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\begin_layout Plain Layout
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\backslash
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vspace*{-2.5em}
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\end_layout
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\begin_layout Plain Layout
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\backslash
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begin{center}
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Plain Layout
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\begin_inset Graphics
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filename graphics/output-module-panel.pdf
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scale 60
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\end_inset
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\end_layout
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\begin_layout Plain Layout
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\begin_inset Caption
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\begin_layout Plain Layout
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Output module template
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Plain Layout
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\begin_inset ERT
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status open
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\begin_layout Plain Layout
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\backslash
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end{center}
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\end_layout
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\begin_layout Plain Layout
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\backslash
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vspace*{-2em}
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\end_layout
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\end_inset
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\end_layout
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\end_inset
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\end_layout
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\begin_layout Standard
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The panels for all modules were made from pre-cut aluminum plates with a
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white varnish.
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@ -1954,6 +2005,12 @@ I hereby declare that in the attached submission I have not presented anyone
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gement.
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\end_layout
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\begin_layout Standard
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My signature below constitutes my pledge that all of the writing is my own
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work, with the exception of those portions which are properly documented.
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\end_layout
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\begin_layout Chapter*
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Appendix
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\end_layout
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