added output module panel template graphic

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Logsol 2013-03-28 22:17:55 +01:00
parent d66d163f7b
commit 0d6472ee75

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@ -11,29 +11,42 @@
\usepackage[absolute]{textpos} \usepackage[absolute]{textpos}
\usepackage[authoryear]{natbib} \usepackage[authoryear]{natbib}
\usepackage{titlesec} \usepackage{titlesec}
\usepackage{caption}
% Important for page numbering % Important for page numbering
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% CHAPTER TITLE % CHAPTER TITLE
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{\chapter} {\chapter}
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[{\titlerule[1pt]}] [{\titlerule[1pt]}]
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% Title margins % Title margins
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\titlespacing{\paragraph}{0pt}{6pt}{6pt} \titlespacing{\paragraph}{0pt}{6pt}{6pt}
% figure caption
\captionsetup[figure]{font=small}
\end_preamble \end_preamble
\use_default_options true \use_default_options true
\maintain_unincluded_children false \maintain_unincluded_children false
@ -56,7 +69,8 @@
\output_sync 0 \output_sync 0
\bibtex_command default \bibtex_command default
\index_command default \index_command default
\paperfontsize 11 \float_placement H
\paperfontsize 12
\spacing onehalf \spacing onehalf
\use_hyperref false \use_hyperref false
\papersize a4paper \papersize a4paper
@ -77,9 +91,9 @@
\end_index \end_index
\paperwidth 11in \paperwidth 11in
\paperheight 8.5in \paperheight 8.5in
\leftmargin 3cm \leftmargin 3.5cm
\topmargin 3cm \topmargin 3cm
\rightmargin 3cm \rightmargin 2cm
\bottommargin 3cm \bottommargin 3cm
\secnumdepth 2 \secnumdepth 2
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@ -433,18 +447,6 @@ To make it playable with a keyboard, a MIDI input module is added.
\end_layout \end_layout
\begin_layout Standard \begin_layout Standard
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status open
\begin_layout Plain Layout
\backslash
pagebreak
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@ -471,12 +473,12 @@ The process of writing this paper has been an unexpectedly rewarding and
it with a predetermed mindset - has been something that really changed it with a predetermed mindset - has been something that really changed
my perseption of musical creativity. my perseption of musical creativity.
This for me seems much more attainable in the analog world, where electrical This for me seems much more attainable in the analog world, where electrical
components can be streched to certain limits, where it is uncertain what components and signal chains can be brought to their tipping points, resulting
exactly will happen to the audio signal. in an unpredictable outcome.
That is where sound exploration begins, which is a totally different experience That is where sound exploration begins, which is a totally different experience
than knowing what will happen. than knowing what will happen.
Virtual digital environments, which I was familiar with however, seem to Virtual digital environments, which I was familiar with on the other hand,
tend persuade the user to feel in control at all times. generally seem to tend persuade the user to feel in control at all times.
\end_layout \end_layout
\begin_layout Chapter \begin_layout Chapter
@ -680,22 +682,6 @@ citealp[p.~3]{Manning1985}}
. .
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status open
\begin_layout Plain Layout
\backslash
pagebreak
\end_layout
\end_inset
\end_layout
\begin_layout Standard \begin_layout Standard
The german engineer Harald Bode contributed to the design of several new The german engineer Harald Bode contributed to the design of several new
instruments from the 1930's on, like the warbo formant organ (1937) or instruments from the 1930's on, like the warbo formant organ (1937) or
@ -891,22 +877,6 @@ citealp[p.~20]{Dunn1992}}
. .
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status open
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\backslash
pagebreak
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\end_layout \end_layout
\begin_layout Standard \begin_layout Standard
@ -947,13 +917,9 @@ citealp{Fjellestad:movie}}
A year later he built a transistor based voltage-controlled oscillator A year later he built a transistor based voltage-controlled oscillator
and amplifier for the composer Herbert Deutsch. and amplifier for the composer Herbert Deutsch.
This led moog to the presentation of a paper entitled This led moog to the presentation of a paper entitled
\begin_inset Quotes eld \emph on
\end_inset
Voltage-Controlled Electronic Music Modules Voltage-Controlled Electronic Music Modules
\begin_inset Quotes erd \emph default
\end_inset
at the sixteenth annual convention of the Audio Engineering Society, which at the sixteenth annual convention of the Audio Engineering Society, which
had stimulated widespread interest had stimulated widespread interest
\begin_inset ERT \begin_inset ERT
@ -1004,13 +970,9 @@ citealp[p.~22]{Dunn1992}}
Buchla's design approach differed significantly from Moog. Buchla's design approach differed significantly from Moog.
He rejected the idea of a synthesizing familiar sounds and resisted the He rejected the idea of a synthesizing familiar sounds and resisted the
word word
\begin_inset Quotes eld \emph on
\end_inset
synthesizer synthesizer
\begin_inset Quotes erd \emph default
\end_inset
ever since. ever since.
It seemed much more interesting to emphasize new timbral possibilities It seemed much more interesting to emphasize new timbral possibilities
and stress the complexity that could arise from randomness. and stress the complexity that could arise from randomness.
@ -1059,13 +1021,9 @@ citealp[p.~20]{Dunn1992}}
an album of titles by Johann Sebastian Bach interpreted only with Moog an album of titles by Johann Sebastian Bach interpreted only with Moog
synthesizers. synthesizers.
With the title With the title
\begin_inset Quotes eld \emph on
\end_inset
Switched-on Bach Switched-on Bach
\begin_inset Quotes erd \emph default
\end_inset
they demonstrated the performance of the system so convincingly, that they they demonstrated the performance of the system so convincingly, that they
hit the popmusic charts and sold a million LP's hit the popmusic charts and sold a million LP's
\begin_inset ERT \begin_inset ERT
@ -1283,7 +1241,7 @@ citealp[p.~55]{Ruschkowski1990}}
\end_inset \end_inset
. .
A true square wave has a 50% duty cycle - equal high and low periods. A true square wave has a 50 % duty cycle - equal high and low periods.
However, oscillators often feature a pulse width parameter, trough which However, oscillators often feature a pulse width parameter, trough which
the high-low time ratio can be accessed. the high-low time ratio can be accessed.
This has a distinct influence on the wave's timbre. This has a distinct influence on the wave's timbre.
@ -1470,13 +1428,9 @@ name "sub:filters"
The filter is the processing component responsible for the sound changes, The filter is the processing component responsible for the sound changes,
that people associate with that people associate with
\begin_inset Quotes eld \emph on
\end_inset
the typical synthesizer sound the typical synthesizer sound
\begin_inset Quotes erd \emph default
\end_inset
\begin_inset ERT \begin_inset ERT
status open status open
@ -1672,11 +1626,6 @@ y manufactured circuit boards for this project as opposed to elaborating
Also the time saving using this strategy is not to be underestimated. Also the time saving using this strategy is not to be underestimated.
\end_layout \end_layout
\begin_layout Standard
Since the budget for this project was limited, it was tried to arrange a
smaller setup that would still offer lots of sound design possibilities.
\end_layout
\begin_layout Standard \begin_layout Standard
During the research phase of this project the author found out about a modular During the research phase of this project the author found out about a modular
synthesizer building workshop taking place in berlin monthly. synthesizer building workshop taking place in berlin monthly.
@ -1691,6 +1640,11 @@ befaco
\end_layout \end_layout
\begin_layout Standard
Since the budget for this project was limited, it was tried to arrange a
smaller setup that would still offer lots of sound design possibilities.
\end_layout
\begin_layout Standard \begin_layout Standard
\begin_inset Note Note \begin_inset Note Note
status collapsed status collapsed
@ -1819,10 +1773,107 @@ The case is a simple rack constructed from a few pieces of wood that are
modules. modules.
\end_layout \end_layout
\begin_layout Standard
\begin_inset ERT
status open
\begin_layout Plain Layout
\backslash
pagebreak
\end_layout
\end_inset
\end_layout
\begin_layout Section \begin_layout Section
Frontpanels Frontpanels
\end_layout \end_layout
\begin_layout Standard
\begin_inset Wrap figure
lines 0
placement R
overhang 0in
width "22text%"
status collapsed
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status open
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\backslash
vspace*{-2.5em}
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\begin_layout Plain Layout
\backslash
begin{center}
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\end_inset
\end_layout
\begin_layout Plain Layout
\begin_inset Graphics
filename graphics/output-module-panel.pdf
scale 60
\end_inset
\end_layout
\begin_layout Plain Layout
\begin_inset Caption
\begin_layout Plain Layout
Output module template
\end_layout
\end_inset
\end_layout
\begin_layout Plain Layout
\begin_inset ERT
status open
\begin_layout Plain Layout
\backslash
end{center}
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\begin_layout Plain Layout
\backslash
vspace*{-2em}
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\end_inset
\end_layout
\end_inset
\end_layout
\begin_layout Standard \begin_layout Standard
The panels for all modules were made from pre-cut aluminum plates with a The panels for all modules were made from pre-cut aluminum plates with a
white varnish. white varnish.
@ -1954,6 +2005,12 @@ I hereby declare that in the attached submission I have not presented anyone
gement. gement.
\end_layout \end_layout
\begin_layout Standard
My signature below constitutes my pledge that all of the writing is my own
work, with the exception of those portions which are properly documented.
\end_layout
\begin_layout Chapter* \begin_layout Chapter*
Appendix Appendix
\end_layout \end_layout